Farish Alborzkouh

Jewelry designing by the application of sculpting methods is a new approach to make the sculpted jewelry wearable and more applicable in our daily lives. Investing more symbolic meanings into these pieces of jewelry and changing their usage will finally result in the formation of aesthetically different works with new raw materials used in their making.

Amir Mousavizadeh

This exhibition includes fourteen collections. Their common characteristic is the simplicity of their forms which are both traditionally Iranian and modern.

Each collection consists of seven edition of each work that is made of silver, bronze, platinum or gold.
 

Ali Mousavizadeh

The present exhibition consists of eight collections in two sections:

Section 1: Focuses on themes from ancient Iranian history and Ferdowsi’s masterpiece, Shāhnām-e. This section is deeply affected by the artist’s interest in exploring historical and mythological Iranian icons from among the old forgotten Persian books. Consequently, using the jewelry made under such influences in our daily lives would be a token of our respect and commemoration of such a rich ancient history and customs and our growing concern over the gradual decimation of some monumental edifices such as Cyrus the Great’s tomb in Persepolis which may finally leave the posterity nothing except a bunch of photos reminding them of their Aryan roots. This section includes five collections namely Cyrus the Great, Gāvsār, Achaemenian Flag, the Lion and Rūstam and Rūstam.

Section 2: Includes two separate collections with a modern design.

Besides these collections, a collaborative work of Ali and Amir Mousavizadeh will be also exhibited under the name of Triple Seven.