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Seyed
Hamid
Nourkeyhani
Praise
the
Creator
Like
Nobody!...
In
late
November
of
2012
at
Etemad’s
painting
and
plastic
arts
gallery,
the
curtain
will
be
up
for
only
one
day,
so
you
and
I
will
witness
a
particular
style
of
modern
painting
that
will
take
us
into
the
realm
of
colors
and
imaginative
patterns.
With
the
prevalence
of
photography,
more
than
all
other
arts,
painters
and
architects
harbored
new
thoughts
and
styles,
therefore
breaking
away
from
the
classics,
namely
realism
and
naturalism,
though
much
earlier,
in
16th
century,
a
Flemish
painter
who
lived
for
65
years
was
not
understood
in
his
own
time.
Today,
Hieronymus
Bosch
has
received
attention
from
art
connoisseurs
for
his
ambitious
and
groundbreaking
styles.
More
than
four
centuries
have
passed
and
we
came
a
long
way;
from
Whistler,
Matisse,
Degas,
Van
Gough,
Claude
Monet,
Vasarely,
George
Braque
and
his
counterpart
Pablo
Picasso
to
Salvador
Dali,
Jackson
Pollock
and
many
others,
until
the
contemporary
architects
of
Iran,
namely
Kamran
Diba,
Abdolaziz
Farman
Farma,
Nader
Ardalan,
Hussein
Amanat
and
Hooshang
Seyhoon.
In
modern
and
plastic
arts,
the
age
of
modernism
had
already
started
in
America
and
Europe.
But
with
a
bit
of
delay,
it
was
academically
pursued
in
Iran,
in
the
Fine
Arts
School
of
Tehran
University.
The
pioneering
professors
of
Iranian
contemporary
arts
never
imitated
anyone,
and
that
was
the
manner
by
which
they
trained
their
students.
Many
of
the
renowned
individuals
in
that
period,
the
late
Morteza
Momayez,
Ali
Akbar
Sadeghi,
Farshid
Mesghali,
Parviz
Tanavoli,
Aydin
Aghdashloo,
Abbas
Kiarostami
and
many
others
who
soared
from
this
very
same
origin,
will
be
remembered
in
the
history
of
Iranian
arts
forever.
In
the
debut
of
Hamid
Nourkeyhani’s
painting
exhibition,
which
by
the
way
is a
graduate
of
school
of
architecture
and
a
distinguished
student
of
Kamran
Diba,
I’m
exalted.
It
is
fall
of
2012
and
I, a
67-year-old
professor,
who
distinctly
remembers
the
pop
art
paintings
of
the
Beatles
and
Hendricks
era,
exuberantly
looking
forward
to
29th
of
November.
Why?
Because:
Kamran
Diba
and
Aydin
Aghdashloo
(who
never
had
words
for
the
sake
of
utterance)
commended
the
paintings
of
Nourkeyhani.
Let’s
enjoy
and
share
the
pleasure
of
watching
and
perceiving
patterns
that
are
abstract
and
not,
formalistic
and
not.
Let’s
divulge
ourselves
with
his
paintings
of
bright
colors
and
at
times,
diluted
and
faded
hues,
the
lines
and
shapes
through
which
token
of
objects
and
live
beings
glance
at
us.
Come,
so
he
will
be
understood
in
his
life
time.
Akbar
Alemi,
1391/8/27
Seyed
Hamid
Nourkeyhani
Born
on
24
th
1947
in
Tehran.
He
graduated
in
architecture
from
Faculty
of
Fine
Arts
University
of
Tehran
in
July
1973
Solo
Exhibitions:
2014
Abstract
Painting
,
Shalman
Gallery
,
Tehran
,
Iran
2012
A
Sketch
of
A
Sketch
,
Etemad
Gallery
,
Tehran
,
Iran
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