|
Jahed
Sarboland
Persian
Sugar
“I
can
see
great
potential
in
Iranian
actors.
This
culture
is
enriched
with
Persian
language
and
this
language
provides
the
possibility
of
acting
and
performing
which
is
not
only
limited
to
theatre
but
exists
elsewhere
as
well.
I am
going
to
tell
you
the
story
of
an
anonymous
person.
When
I
came
to
Iran
years
ago,
on
my
trip
to
Esfahan
on a
mourning
holiday,
I
saw
a
“Daste”
(group
of
people
mourning
and
marching).
I
was
for
sure
the
only
foreigner
in
Esfahan’s
bazaar
on
that
day.
There
was
a
lot
of
crying
and
shouting
of
pain
through
that
“Daste”
and
apparently
people
were
suffering
deeply.
But
since
I am
not
a
Muslim,
I
was
having
a
very
difficult
situation
and
in
fact
was
the
only
one
who
was
not
crying.
I am
a
very
good
actor,
but
there,
was
embarrassed
to
cry.
A
few
men
were
standing
next
to
me
who
were
all
mourning
and
crying
loudly.
Suddenly,
one
of
the
men
who
was
closer
to
me
gently
whispered
through
his
deep
cries:
”Do
you
want
to
buy
Carpet?”
He
was
by
far
the
best
actor
I
have
ever
seen.”
Roberto
Choli
-
Head
of
actors’
crew
of
the
German
theatre
Taken
from
Mosharekat
news
paper,
31-Jan-1998
Reference
is
made
to
Pg
77
of
the
book
“Intimate
Sociology”
-
Written
by
Hasan
Naraghi
|
